Obtenir un ebook gratuit I Love Dick, by Chris Kraus
Lors de la lecture du titre, vous pouvez voir comment l'auteur est très fiable en utilisant les mots pour créer des phrases. Il sera également les moyens comment l'auteur crée la diction d'influencer beaucoup de gens. Mais, ce n'est pas un non-sens, il est quelque chose. Quelque chose qui vous mènera pense être mieux. Quelque chose qui fera de votre sensation afin de mieux. Et quelque chose qui va vous donner de nouvelles choses. C'est-il, le I Love Dick, By Chris Kraus
I Love Dick, by Chris Kraus
Obtenir un ebook gratuit I Love Dick, by Chris Kraus
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I Love Dick, By Chris Kraus est exactement ce que nous à vous de partager. Cette publication ne sera certainement pas vous obliger à lire, même précisément le livre. Il se fera en offrant la meilleure sélection de vous de penser que la lecture est toujours nécessaire. Avec la langue lisse, la leçon de vie existe. Aussi ce n'est pas certaine publication que vous peut-être comme, en lisant le livre, vous pouvez voir pourquoi beaucoup de gens aiment lire.
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Détails sur le produit
Broché: 288 pages
Editeur : Serpent's Tail; Édition : Main (5 mai 2016)
Langue : Anglais
ISBN-10: 9781781256480
ISBN-13: 978-1781256480
ASIN: 1781256489
Dimensions du produit:
12,9 x 1,6 x 19,8 cm
Moyenne des commentaires client :
5.0 étoiles sur 5
1 commentaire client
Classement des meilleures ventes d'Amazon:
68.528 en Livres (Voir les 100 premiers en Livres)
I love this book so much! Bought after watching the tv series which I hated up until episode 4 when I suddenly realised this wasn’t a typical “oh look at the silly irrational woman and watch her demise†kind of story. Absolutely brilliant
The title is intriguing and seems fun loving, thus, it attracts too many readers, hence so many disappointed reviewers.This book, contrary to its light hearted title, is not for everyone. You have to be pretty well read in philosophy, semiotics, literary and cultural criticism because it's a brilliant send up, parody, satire, metacriticism, mashup of those disciplines. I don't think anyone can enjoy this novel as just a surface story.The book also expounds on the nature of female love, female abjection, the tendency to obsess over unavailable men, debase ourselves. How so many women are "plus-ones", the helpmate to a successful, older, richer man. This is the way of the world, and very, very few women could say they freed themselves from fetters of patriarchy. Even today, in 2016. Look at your feminist artsy classmates from the 1990s - how many of them made it on their own? How many have married men who make a lot of money, or have trust funds?I simply love how this narrator self-deprecates: her films make no money but she successfully manages her professor husband's real estate investments in order to fund her art. No righteousness whatsoever. It is a great story about female self-abasement.Finally, the author through this novel critiques the way so many people assume a female narrator rants about failed heterosexual relationships is writing autobiography, memoir, or a bitchfest. Those same people would not say Philip Roth is writing memoir, rather, they assume it is art. The Amazon reviewers here certainly are not getting it either - this is fiction, and like the best fiction, it melds philosophy, economics, poetics, and entertainment in one place and time.
OMG, first I'd like to state that I am no literary scholar, I did however take lit and writing classes throughout college, and understand that I missed a multitude of the references. I found this book to be dreadfully tedious. The exact opposite of women's empowerment. Chris behaves like a middle schooler fixated on the quarterback. You want to shout at her, pull her aside, take her out for a few cocktails and tell her to smarten up. I couldn't even finish the book, it was a painful read right up until I gave up (more than halfway through).The title drew me in on Prime and I savored every moment of the series. Hahn's acting is genius, convincing, surprising even as she's always the rom-com supportive actress. I was blown away. It was good to see Griffin Dunne, and Kevin Bacon's portrayal of a detached, elusive and enigmatic Dick is impressive, he nailed the character. Of course, the series and the book are quite different. The book doesn't have the side stories or characters, merely the letters. Well, at least until my giving up point.Save the cash and watch the series. Unless you understand esoteric references as they make their way onto just about every page. Can't wait to see what Catherine Hahn does next (Bad Moms 3? lol)
The story of the re-emergence of this book is fascinating.First published in the 1990s and consigned to absolute obscurity ever since, it has suddenly turned up on best-seller lists, the author is being interviewed everywhere, it's a phenomenon. This is a story about real people and real relationships from a torrid era when things were still fluid, uncertain, when young women thought they could be filmmakers and writers, when great cities still had zones and places where creative types could live cheaply, when everyone travelled around the world and stayed in each other's apartments in London, Athens, New York, Sydney, wherever ... The author, Chris Kraus, grew up in New Zealand which gives her tale a particular poignancy. You can't help thinking she is a bit of a provincial wanne-be, who links up with a really famous intellectual who actually doesn't do anything himself - he doesn't write, he doesn't paint, but he introduces people to each other and runs an incredibly influential publishing house and an in-group intellectual magazine which everyone in the eighties knew and respected and which is unbelievably still going today. Semiotext(e) was such a key reference in the postmodern Franco-Anglo intellectual scene. Well, anyway, Chris Kraus after failing as a filmmaker (although she kept on trying) hooked up with that same intellectual, Sylvere Lotringer, many years older than her, married him, and then realised she wanted more of a real man and fell in love with Dick, who is a famous English intellectual renowned for key sociological and cultural texts, who is still around today teaching in Southern California, and Chris started sending him hundreds of messages and faxes explaining to him in detail why she loved him so much and made him have a sexual encounter with her - just once, it seems - by simple force of email and strangely enough her husband didn't mind and maybe he wanted to get in on the act himself. He loved Dick too! Wait! Stop! Who are these people? Do they actually exist? Does anyone care today? Well, yes, they do, its twenty or thirty years later and suddenly Chris Kraus's book is republished and so are her earlier books and there you go, she has also authored a biography of Kathy Acker and wow! Kathy Acker, dead at fifty of breast cancer, is now a postergirl for displaced feminist intellectuals and all her books are being republished and really it is all a whirlwind, and then Amazon Prime made a movie about I Love Dick starring Kevin Bacon as Dick and the whole thing really took off.... So, are you still with me? Probably not and I wouldn't blame you. People who want to read clear narratives with plot and character and exciting romances where for instance private investigators turn out to be Meercats will not much like Chris Kraus's books, this or any of them, but if you can stand being on a kind of nostalgic whirlwind back to the glorious 80s and 90s with all the theory and criticisms and self-delusion (which Kraus captures brilliantly, she doesn't spare herself at all) you'll be carried away. And the prose! Such a great change to read this kind of writing, no editor has ever got to it with a set of instructions about sentences or subordinate clauses. Great fun! I read her other books straight away too, I did like Torpor especially which is a kind of prequel and I've just finished the Kathy Acker bio which raises many other issues for another time. Go for it, but read the Look Inside first and if you don't like it, don't bother, but don't make others feel bad about enjoying it. We all deserve our own escapes
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